Kelly and Schwabe point out, in speaking of this gown, At first hanging loose behind, the sacque in the thirties merges into the robe la franaise, the gown with the misnamed Watteau pleats (which in their full developed form are never found in Watteaus pictures). The body of the gown is made at times to fit the figure quite close, with the two pleats hanging down the back, merging from below the waist into the fullness of the hooped skirt (Fig
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Features a dramatic open back and floor-sweeping mermaid silhouette with flowing train and centre drape panel
Henry (ITQ, vol
And the hoop skirt is necessary
Often these dresses have been scattered in ones or twos through pink, orange, or blue-hued collections, a refreshing pause or maybe a pointed exclamation mark amidst other, softer colors
